Yangjin LAMU - Tibetan Yoga Music 14,5 / 20 2006
Remember I told you about this artist a few months ago, citing it as a significant musical discovery. Analyze a little more than his album.
Appeared in defending the label Wind Records Chinese classical music, Yangjin Lamu was not originally destined to begin a career in art.
because his involvement in the upper echelons of traditional Tibetan medicine is recognized as a public utility. You should know that Tibetan medicine is a particular specificity of the medical Chinese and regarded as one of the most effective medicines based on population of the Middle Kingdom. Somewhat overshadowed by the Maoist regime, this habit has since then resumed medical place, that of a cultural treasure to be preserved.
In this world where Yangjin Lamu is a very important economic role, she has taken the time to make yoga an album in the purest tradition of Tibetan chants.
Between Buddhist psalms and testimony about the life of the Tibetan region, Yangjin Lamu raises his voice in minimalist arrangements for the benefit of lovers of this music.
However, you should not expect a music where every instrument outbid its plastic and its typical Tibetan seduction, but rather a music related to our soul and our spirit. The voice of Yangjin Lamu is reminiscent Dadawa certainly with fewer opportunities in the treble, which does not affect the musical intensity of this album.
With the first four tracks of rare depth, you feel transported to those countries so beautiful where they serve butter tea, where only appeasement of itself seems to invite people to live there. The
fifth runway more sad, makes us reflect on the future of this culture that must be protected and which is increasingly despite the bad image that Westerners are on the Chinese situation in this country.
title is simply superb and exchange eternal prayers heard so often on all disks of Tibetan music. There is thus a very interesting folk side.
The other force Yangjin Lamu is to know how to play instruments typical of the region like this guitar and banjo Tibet does virtually nothing to anyone unlike Dadawa which is still supported by local music professionals.
The latest songs back to this classical Tibetan, which marked the beginning of the album and of course like any Tibetan or Tibetan-respecting "oh mani pedme um" crimped last disk. I thought that there would not be the last psalm .... Like what you always listen to an album all the way!
Yangjin Lamu Thus this step is successful musical, and we wish him much inspiration for the next ...
because his involvement in the upper echelons of traditional Tibetan medicine is recognized as a public utility. You should know that Tibetan medicine is a particular specificity of the medical Chinese and regarded as one of the most effective medicines based on population of the Middle Kingdom. Somewhat overshadowed by the Maoist regime, this habit has since then resumed medical place, that of a cultural treasure to be preserved.
In this world where Yangjin Lamu is a very important economic role, she has taken the time to make yoga an album in the purest tradition of Tibetan chants.
Between Buddhist psalms and testimony about the life of the Tibetan region, Yangjin Lamu raises his voice in minimalist arrangements for the benefit of lovers of this music.
However, you should not expect a music where every instrument outbid its plastic and its typical Tibetan seduction, but rather a music related to our soul and our spirit. The voice of Yangjin Lamu is reminiscent Dadawa certainly with fewer opportunities in the treble, which does not affect the musical intensity of this album.
With the first four tracks of rare depth, you feel transported to those countries so beautiful where they serve butter tea, where only appeasement of itself seems to invite people to live there. The
fifth runway more sad, makes us reflect on the future of this culture that must be protected and which is increasingly despite the bad image that Westerners are on the Chinese situation in this country.
title is simply superb and exchange eternal prayers heard so often on all disks of Tibetan music. There is thus a very interesting folk side.
The other force Yangjin Lamu is to know how to play instruments typical of the region like this guitar and banjo Tibet does virtually nothing to anyone unlike Dadawa which is still supported by local music professionals.
The latest songs back to this classical Tibetan, which marked the beginning of the album and of course like any Tibetan or Tibetan-respecting "oh mani pedme um" crimped last disk. I thought that there would not be the last psalm .... Like what you always listen to an album all the way!
Yangjin Lamu Thus this step is successful musical, and we wish him much inspiration for the next ...
Damien Paccellieri
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